The boundaries that separate the human body from the natural world are less stable than they appear.
In Metamorphosis, ancient olive trees and the human figure gradually lose their individual identities. Twisted trunks begin to resemble limbs, skin echoes bark, and the landscape becomes almost indistinguishable from the body itself. Rather than depicting two separate forms of life, the series suggests a shared condition: both are shaped by time, growth, adaptation and continuous transformation.
These photographs are not about resemblance, but about continuity. They ask where one form ends and another begins, questioning the boundaries through which we usually understand identity.
Created as unique 10 × 12 inch wet plate collodion photographs on glass, each work exists as a singular object whose material presence reinforces the slow and irreversible transformations explored throughout the series.
